Your First Professional Jazz Gig
How to Audition, Book, and Absolutely Shine. A practical roadmap to landing your first paid job and building a stellar reputation.
You’ve spent countless hours in the practice room. You’ve transcribed solos, mastered your ii-V-I’s, and played your fair share of jam sessions. But now you’re aiming for the next level: your first paid jazz gig. The professional stage is a different beast altogether—it’s where artistry meets business, and preparation meets opportunity.
Landing that first check for making music is a monumental milestone. It’s a validation of your hard work and a crucial step in your journey from student to working musician. This guide will walk you through the entire process, from getting the audition to leaving them begging for an encore.
Phase 1: The Audition – Your Moment to Shine
Auditions for jazz gigs are rarely formal sit-down affairs. More often, they happen on the bandstand. You might be invited to a rehearsal or, most commonly, asked to "sit in" for a set with a working band. This is your live audition, and every note counts.
Before You Even Play a Note
- Know the Material Cold: If you’re called to sub, ask for a setlist or the names of a few key tunes. Don't just listen to them—learn them. Know the melody, the form, the common changes, and the style inside and out.
- Dress the Part: Professionalism is visual. Your attire says you take the gig seriously before you even take your instrument out of the case. Ask about the dress code if you're unsure. "Bandstand casual" is usually a safe bet.
- Be Early, Be Prepared: Arrive at least 30 minutes early. Allow time for parking, setup, and a quick warm-up. This shows respect for the bandleader's time and calms your nerves.
Spend 80% of your preparation time on the first tune you’ll play. A strong, confident entrance sets the tone for the entire audition. Nail the head, lock in with the rhythm section, and your first solo will already be on solid ground.
On the Bandstand: What Bandleaders Are Really Listening For
It’s not just about chops. Bandleaders hire musicians who make their lives easier.
- Time Feel and Groove: This is non-negotiable. Your time must be rock solid. Can you lock in with the drummer and bassist? Can you make the band swing or groove authentically in other styles?
- Listening and Interaction: Are you having a musical conversation, or are you just waiting for your turn to talk? Nod, make eye contact, and respond dynamically to what others are playing.
- Sound and Tone: Your sound is your signature. A beautiful, projecting, and controlled tone is often more memorable than a flurry of fast notes.
- Versatility and Repertoire: Can you move seamlessly from a burning bebop tune to a soulful blues or a Brazilian bossa? A deep and wide repertoire is a huge asset.
- Attitude: Are you easy to work with? Do you have a positive, collaborative energy? No one wants to hire a diva, no matter how good they are.
"The number one thing I listen for is time. I can teach someone new changes, but I can't teach them to feel time. The second thing is sound. The third thing is taste. The chops come last." — Anonymous New York Bandleader
Phase 2: Booking the Gig – Sealing the Deal
You played great. The set is over. Now what?
The Follow-Up
Thank the bandleader sincerely on your way out. A simple, "Thanks so much for the opportunity to play, I really enjoyed it" is perfect. Do not immediately ask for more gigs.
Later that evening or the next day, send a brief, professional follow-up text or email. Reiterate your thanks and mention a specific musical moment you enjoyed. This shows you were truly engaged.
Understanding the Business
When the call comes, be professional. Discuss the details clearly:
- Date, Time, and Location: Confirm all specifics.
- Duration: How long is the gig? (e.g., 8 PM - 11 PM with one 20-minute break)
- Pay: What is the fee? Is it a flat rate or a percentage of the door? This is a professional transaction; it is okay to talk about money.
- Attire: Confirm the dress code.
- Setlist/Repertoire: Ask if there are any new tunes you should prepare.
Get it in writing. A simple email confirming the details protects everyone involved and is the mark of a true professional.
Phase 3: The Gig Itself – Building a Stellar Reputation
The gig is booked. Now it's time to deliver an experience that will have them calling you back again and again.
Pre-Gig Ritual
Arrive early (again). Set up efficiently. Be ready to start on time. Have a pencil and your charts organized. Warm up thoroughly so your first note of the first tune is your best.
On-Stage Etiquette
- Serve the Music: Your goal is to make the entire band sound good, not just yourself. Comp thoughtfully behind soloists.
- Stage Presence: Look like you’re enjoying yourself! Smile. Acknowledge your bandmates' great ideas. Connect with the audience visually.
- Dynamic Control: Play appropriately for the room and the context. Not every solo needs to be a fireworks display. Master the art of playing softly with intensity.
Post-Gig Professionalism
Thank the bandleader and your fellow musicians. Help pack up gear if appropriate—it’s a great way to build camaraderie. Once you’re paid, send a final thank-you message the next day: "Thanks again for a great gig last night, I had a blast. Hope to play with you again soon!"
This final touch cements you in their mind not just as a great player, but as a great person to work with.
The Encore: Turning Your First Gig into a Career
Your reputation is your most valuable currency. Do great work, be reliable, be kind, and the phone will start to ring. One gig leads to another. The musician you sub for tonight might recommend you for a touring gig tomorrow.
Remember, the goal isn't just to play one professional gig. It's to become a professional jazz musician. That journey starts with nailing your very first opportunity. Now go get it.
