If you’ve been anywhere near New York’s dance scene lately, you’ve probably heard the buzz around New York City Ballet’s all-Balanchine program. And while the reviews have been mixed—some calling it timeless, others a bit… safe—there’s one performance that’s cutting through the noise: Roman Mejia and Teresa Reichlen in *Western Symphony*.
Let’s be real: Balanchine’s work is the foundation of modern ballet, but not every rendition hits the same. Some critics found this season’s opener “pleasant but bland,” and I get it—when you’re dealing with classics, it’s easy to fall into routine. But then there are moments when a pairing like Mejia and Reichlen reminds you why NYCB remains a global powerhouse.
Roman Mejia is pure electricity. His technique is sharp, his energy infectious, and he brings a youthful boldness to the role that feels fresh without disrespecting tradition. And Teresa Reichlen? She’s grace and power in perfect balance—commanding the stage with every movement, yet making it look effortless. Together, they don’t just perform *Western Symphony*; they *own* it.
It’s performances like these that elevate an entire program. While some pieces might fade into the background, Mejia and Reichlen demand your attention. They’re not just executing steps; they’re telling a story, radiating joy, and reminding us why we fell in love with ballet in the first place.
So yeah, maybe the fall season had its safe moments. But if you want to see what happens when talent, chemistry, and sheer star power collide, watch these two. They’re the reason Balanchine’s legacy isn’t just preserved—it’s alive, kicking, and better than ever.
