Loraine constructs a submerged world with layered, echoing piano notes that ripple like light through water. Subtle field recordings of distant tides and processed breath create a sense of vast, peaceful depth. The tempo is a slow, natural ebb and flow, resisting any strict grid.

A breathtaking collaboration where Rani's crystalline piano meets Kiasmos's minimalist electronic pulse. The rhythm is a patient, tectonic shift—a slow build of tension and release that feels geological in scale. Strings emerge like dawn light cracking over a horizon.

Haunting, textured, and urban. This track is built from the ghosts of city sounds—reverb-drenched snippets of conversation, the hum of neon, distant transport—woven into a dub-inflected bass bed. It doesn't fade into the background; it creates a new, liminal space within it.

A living, breathing ecosystem of synthesized sound. Smith coaxes organic, fluttering melodies and bubbling textures from her Buchla system, creating a sense of vibrant, alien biology. The patterns are cyclical but never repetitive, evolving like cellular growth.

Frahm takes a serene original and stretches it into a 14-minute journey. The familiar piano motif is deconstructed, treated with subtle tape delay and room resonance, then patiently rebuilt. It’s a masterclass in attention and the beauty of a single, evolving idea.